This adapted version of Intuitous is based on accounts of Thomas Baxter's effect 'A Dianoetic Rage' and was created in collaboration with Amanda Nym. I don't want to get into the debate of whether or not ADR was real or a hoax, I have my own opinions and reasoning and I'll allow everyone else to reach their own conclusions. But what I will say, like I've always said, it is possible, and here it is... This is the perfect parlour version, ideal for a small group but could be adapted for stage performance and involves no stooges/instant stooges. A new sealed deck is selected, the dealer is randomly chosen, the cards are examined, the magician does not touch the cards at any time, the plot of Open Prediction/51 Faces North is explained to all (including the conditions), a prediction is made openly, the dealing starts, one card is left face down, the dealing concludes, the card is revealed, the miracle is complete! The holy grail?!? Of course not, the holy grail...
The first of many releases from the Intuitous Project... An original solution the classic Open Prediction plot or 'the Curry Unsolved Card Problem'. This is a homage to Paul Curry and Stewart James, with a respectful nod to other solutions or variations created over the years. This version involves no stooging/instant stooging and can be done with a borrowed deck (or borrowed decks) I would also argue it meets all the "conditions" of Open Prediction but then again I don't really believe in conditions for magic tricks - conditions are for scientific experiments! Magic tricks are deceitful by nature...
I have long been intrigued by the challenge of the Berglas Effect and the many solutions to producing truly baffling ACAAN effects. I believe I have created a version which will appear as the Holy Grail to an audience, theatre or television and which can be done with randomly chosen spectators, completely hands off, and without any stooging/instant stooging (including the dealer!) How it appears... A volunteer is randomly selected, invited on stage (or to the performance area) and given a deck of cards. They are asked to check through the cards, make sure they are all present and all different, there are no double cards, no cards stuck together or anything else that appears untoward. They are then asked to shuffle the deck thoroughly however they wish, overhand, riffle, casino, cuts, they mix up the cards and square them up on the table. They are then asked to watch over the cards and ensure no one else touches them for the duration of the performance. A second and third volunteer...
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